HIDING PLACES
I would sink my hands in the deep of a purse,
plunging wrist-deep in dark; fingering
leather crevices sewn shut with silk stitches,
or buttoned, clinched with bronze and silver
figures etched in miniature: anchors, flowers,
nonsensical symmetry of circles.
I’d run fingernails in bladed searching
like a figure skater, or pop with effort stubborn snaps
to break into the deep insides. I’d sift
through woven strands of crystal gilded
in sockets, snaking threads on wrists and fingers,
sunk and squirming in the cool metal, lifting swarms
of gold, letting fall again in piles left slumped,
groped now and then by my hands
shutting reluctantly their brightness out of sight.
Shoes too, stoic in rows, I’d shove roughly over hands
to the tips of toes, clapping together heel and palm,
gloved in pink pumps, black flats; sliding fingers
through loops of sandals—all returned at the sound
of father bumping furniture, mother
creaking floorboards. I’d hide in the folds of clothes,
sneaking along the back, brushing lightly
dresses draped in dry-cleaning plastic,
or pantsuits rough against my skin; nightgowns
and blouses blown back at my grabbing handfuls
stopping my fall—heard, certainly,
rummaging always for some unplumbed treasure,
some fact of my only knowing.
…….
This poem is from the book Leaving Troy by Joshua Kulseth (Finishing Line Press), and can be found at https://www.finishinglinepress.com/product/leaving-troy-by-joshua-kulseth/

Joshua Kulseth earned his BA in English from Clemson University, his MFA in poetry from Hunter College, and his PhD in poetry from Texas Tech University. He has co-authored two works of criticism and non-fiction—Agony: Brazilian Jiu Jitsu and the Greeks, and W.H. Auden at Work: The Craft of Revision. He is currently Assistant Professor of English and Creative Writing at Franciscan University of Steubenville.